That obsession with memory is what drives every wedding I photograph. I know how fast it goes. The morning-of quiet. The moment you see each other. The dancing that starts stiff and ends wild. I want you to have all of it — not just the moments you expected, but the ones you didn't even notice were happening.
I'm based in the Hudson Valley, where I live with my [partner/family/dog], surrounded by the kind of landscape that makes you slow down. My work is shaped by this place — unhurried, rooted, deeply in love with natural light.
I shoot primarily on full-frame digital with a small kit — a 35mm for the wide, contextual scenes and an 85mm for the close, intimate ones. I don't carry much. I don't make much noise. The less you notice me, the better the photographs.
Every image is hand-edited by me — never outsourced, never batch processed. Color, tone, and feel are refined with the same care I bring to the day itself. You'll see a consistent, warm, film-inspired palette throughout your gallery.
I limit the number of weddings I take each year on purpose. Not because of demand, but because this work deserves full presence — and so do you.
The best photographs happen when nobody is rushing. I build buffer time into every timeline I touch — not padding, but breathing room for things to unfold naturally. The first look that runs long. The getting-ready that turns into an impromptu dance party. Those moments are the ones you'll want forever.
I don't use flash unless the alternative is truly nothing. Natural light — window light, golden hour, the way sun comes through old barn doors — is softer, moodier, and more honest than anything I can manufacture. I scout every venue with this in mind, and I time your portraits around it.
There's a particular quality of light here in the valley — especially in autumn, especially at magic hour — that shows up in everything I make. Even when I travel, I carry this sense of place with me. My work is rooted, earthy, and deeply seasonal. It feels like here, wherever we are.
A lot of photographers spend the wedding day orchestrating. Moving people, staging moments, building setups. I do the opposite. I spend the day getting out of the way.
I arrive early to understand the light. I read the room. I position myself where I know something is about to happen, and then I wait. The photographs that come from that patience are always better than anything I could have constructed.
You hired me because you love the way real moments look. I'll make sure there are plenty of them to love.